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Live from New York: The Complete, Uncensored History of Saturday Night Live as Told by Its Stars, Writers, and Guests
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When first published to celebrate the 30th anniversary of Saturday Night Live, Live from New York was immediately proclaimed the best book ever produced on the landmark and legendary late-night show. In their own words, unfiltered and uncensored, a dazzling galaxy of trail-blazing talents recalled three turbulent decades of on-camera antics and off-camera escapades. Now a fourth decade has passed - and best-selling authors James Andrew Miller and Tom Shales have returned to Studio 8H. They raucously and revealingly take the SNL story up to the present, adding a constellation of iconic new stars, surprises, and controversies.
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Audible Audiobook
Listening Length: 28 hours and 18 minutes
Program Type: Audiobook
Version: Unabridged
Publisher: HighBridge, a Division of Recorded Books
Audible.com Release Date: June 27, 2017
Whispersync for Voice: Ready
Language: English, English
ASIN: B0735G2S2L
Amazon Best Sellers Rank:
I enjoyed the first parts of the book where they were interviewing people from the show when it started and into the late '80s and early '90s. There's a wealth of interesting information there for fans of the show. Everyone being interviewed in that section is so far from their SNL days that they can dish with reckless abandon and you get some very candid interviews.Where the book falls apart, unfortunately, is when you start getting into the early 2000s. At that point it's obvious the authors are interviewing people who were still on the show at the time they were writing. Gone are the candid anecdotes to be replaced by stars talking about how great it is to be on the show and how they're fulfilling a lifelong dream.I can understand why this happened. You don't want to bite the hand that feeds you. The problem is that it really derails what was otherwise a very interesting book for the first half as people switch from dishing stories from their crazy younger days to current stars obviously avoiding rocking the boat.
Pleasant read, being reminded of some of the forgotten "players" and hazy years was nice. The idea of having so many different people's perspective gave a really good picture of just how difficult this has been to pull off for so many years. Spared no one's feelings when they were mentioned but also gave praise for the hard work most put in. Having a lot of different people's opinion about the same thing or the same person was really an interesting read. The writers had some of the toughest comments but they have the hardest job and it all fit together very nicely. The common theme of the players seeking Lorne's favor or just any crumb of attention he could toss them was just about pitiful at times and he is apparently one stingy guy with compliments, then the ones who claimed an easy "we were really close" relationship with him were almost as pitiful, the way they spoke made you think it was just what they were hoping was true. Found out new things about the players I thought I had probably read everything about, turns out there were still things to be told.
Live from New York, a behind-the-scenes history of the Saturday Night Live television series by James Andrew Miller and Tom Shales, was originally published in 2002. The latest edition, released in 2014, was timed to coincide with the show’s 40th anniversary and has been updated with coverage through the program’s 39th season. The book is an oral history comprised of brief bits of first-person commentary by hundreds of SNL cast members, crew, writers, hosts, and NBC network executives. The oral history approach evokes the collaborative nature of SNL and allows for the presentation of differing perspectives on events or controversies in the show’s history. The drawback to this approach, unfortunately, is that it all too often amounts to dozens of people making the exact same points over and over again.Miller and Shales are attempting to accomplish two goals here: the first is to give the reader an idea of what it’s like to work at SNL; the second is to establish the show’s place in television history. Towards the latter goal, it’s not surprising that much space is devoted to the formation of the show and the original cast of Not Ready for Prime Time Players. For the television historian, the endless debates over the details of the show’s creation may be important, but for the casual fan the network politics can get rather dull. I understand that Lorne Michaels is the heart and soul of SNL, and likely a comedy genius, but does anyone really watch the show for Lorne? Most likely you watch the show for its cast members, and what this book doesn’t do well is let the cast members’ voices be heard, unless they’re talking about Lorne. Writers are an important part of the show also, and it’s interesting to hear them talk about how certain sketches were created. Unfortunately, too many of the writers just discuss the same things over and over again—how hard it is to get stuff on the show, staying up all Tuesday night writing, and once again, Lorne. Even though everyone analyzes Lorne ad nauseam throughout the entire book, when you reach the end you get a final chapter entitled “Lorne†which is an absurd exercise in eulogizing the living.If you’re interested in romances or feuds between cast members, there’s little of that mentioned beyond what’s already common knowledge. Another problem with the oral history approach is that almost everyone is reluctant to say anything bad about anyone. There’s a few cast members that everyone seems to agree were difficult, and when the topic of worst host ever comes up, the usual easy targets are mentioned. Surprises are few. Some great cast members either declined to participate (Eddie Murphy) or are barely present (Will Ferrell, Mike Myers). The best part of the book is the Kevin Nealon/Jan Hooks/Phil Hartman years through the Sandler/Farley/Spade/Rock era, because that’s when you get the most cast input and the best idea of how much fun it is to put the show together. Surprisingly, an inordinate amount of time is devoted to the very recent years of the show, with a lot of unnecessary congratulatory back-slapping. From the way praise is heaped on Andy Samberg’s juvenile music videos, you’d think he were the next Fellini.Fifty years from now, television historians are going to consider this book a valuable documentary record of the history of SNL. For the fan, however, it can be a colossal bore. It’s so easy, even addictive, to just read the next little tidbit, but at the end of twenty minutes you realize you’ve just heard forty people say the same thing, and you wonder why you wasted your time. If you can find this book cheap, get it, but just look up the passages concerning your favorite cast members. To read the whole thing is a disappointing and mind-numbing experience.
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